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Extra resources for 1001 Symmetrical Patterns A Complete Resource of Pattern Designs Created by Evolving Symmetrical Shapes
92 Clearly, ‘theatre’ is especially applicable when it comes to performed song and its intended effect. Were the song to have no Passionate words 49 more than a ‘dramatic’ existence, its emotional consequence would be entirely changed. The situation with the 1622 Quarto tends to support this. Here the ‘Willow’ song is omitted and although this version is never ‘performed’, cutting the scene removes ‘one of the most dramatically compelling scenes in Shakespeare’93 and lessens the impact of the tragedy as it reaches its climactic conclusion.
42 28 Shakespeare’s Musical Imagery The connection between ‘jarring’ and discord and concord and ‘sweetness’ is a musical theme that pervades Shakespeare’s plays and poems. In All’s Well that Ends Well, Helen expresses her doubts about Bertram’s sexual integrity in an oxymoronic passage, typical of Renaissance love poetry, involving the musical metaphor: His humble ambition, proud humility, His jarring concord and his discord dulcet. 158–9) Here, as in the Induction to The Taming of the Shrew (cited above), Shakespeare substitutes ‘dulcet’ for ‘sweet’.
Yet you do well To show Lord Timon that mean eyes have seen The foot above the head. 91–5) Their sycophantic reappearance towards the end of the play makes it clear the poet’s (and painter’s) art is not that of the expressive artist, portraying in words innermost feelings and ideas, but rather mouthing an outward corollary to what does not exist: Poet: I am rapt, and cannot cover The monstrous bulk of this ingratitude With any size of words. Consonance and harmony 33 Timon: Let it go naked; men may see’t the better.
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