By Jeff Foster

If you are within the enterprise of movement pictures or computing device electronic video creation, you recognize that Adobe's After results and Photoshop are of the main vital content material construction instruments. extra built-in than ever ahead of, the world's number-one compositing and image-editing courses can be utilized in tandem to create caliber paintings at a comparatively within your budget. however it takes years of expertise to determine easy methods to get the main out of this outstanding duo. With After results and Photoshop: Animation and construction results for DV and movie, pics guru Jeff Foster has created the 1st booklet dedicated to exhibiting how one can use those courses jointly to supply animations and results at the machine. This sensible consultant focuses solely on concepts primary within the box in addition to state-of-the-art creation methods. those hands-on initiatives will demystify cool Hollywood results and assist you clear up your day-by-day demanding situations. and they're going to encourage you to imagine extra artistically whilst impending your creations.Inside, you will discover professional thoughts for movement pictures and video construction, together with how to:Add intensity and realism on your animations by way of mimicking actual movement; Use exaggerated hobbies to augment characterization; observe 3D animation to 2-D pictures; eliminate historical past fodder with blue-screen rubbish mattes; hire rotoscoping options for frame-by-frame retouching; build real looking composites and scene destinations utilizing matte portray thoughts; Make video clips from stills via simulating 3-D digicam movement; make the most of standpoint, pace, and scale to create plausible relocating items; Produce life like lighting tricks corresponding to noise, clouds, and smoke; perform creative movement titling results that seize people's recognition; advance specialist scene transitions utilizing three-D layer animations; and masses more!"

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Extra resources for After Effects and Photoshop: Animation and Production Effects for DV and Film

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Note For comparison and examples, you can view the completed QuickTime sample movies for this chapter, found on the DVD. 9: The source image that will be put into motion with a displacement map Creating a Displacement Map The Displacement Map Effect plug-in in After Effects uses varying levels of gray in the map image. Lighter areas of the image will move the image up and to the right, while the darker areas will move portions of the image down and to the left. How much it gets moved is controlled not only by the effect settings in After Effects but also by how much contrast is in the displacement map source image.

Psd, from the Chapter 3 folder on the DVD. Create a new composition, 640×480 NTSC—6 seconds in length. psd, as composition—cropped layers. This will trim the unwanted transparent space around the layer objects so they can be properly scaled and placed. Drag the background file onto the Comp 1 window and convert it to a 3-D layer. Open the Left side view and drag the Z-axis arrow to the left about 1000 pixels from the center. 28). 28: Position the stacked bills image as a 3-D layer in the background.

Run a RAM Preview to test the animation of the displacement map effect and adjust the speed and pixel displacement as necessary. Chapter 3: 3-D Layers from Photoshop Layers After Effects has the ability to turn any layer into a 3-D layer, allowing you to spin and move the layers, cameras, and lights—just like a 3-D application. There are many detailed camera and light controls to create realistic 3-D motion. Though you can't import primitive shapes or extrusions, you can do many things to fool the eye with photographic shapes cut out from Photoshop layers and rendered in a 3-D scene in After Effects.

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